Review: Them: Adventures with Extremists by Jon Ronson
Shady capitalists, corrupt politicians, and 12-foot lizards. They’re all out there, and they’re running our world. At least, that is the contention of many folks on the fringes of society (and, let’s be honest, quite a few not on the fringes too). Going back around 20 years, “humorous journalist” Jon Ronson spent several years tagging along with assorted extremists from a diverse range of backgrounds. What did they all have in common? A belief that our world was run by a hidden elite.
Ronson – Jewish liberal and Guardian journalist – may seem an unlikely man to ingratiate himself with Islamic fundamentalists, Ku Klux Klansmen, and neo-Nazis, but as the misadventures detailed in Them (2001) show, being an extremist is no fun if there isn’t an audience. And so Jon finds himself infiltrating owl-burning ceremonies alongside some of the world’s most powerful men, driving Osama bin Laden’s “man in England”, and on the road with Ian Paisley in Africa. All in an attempt to uncover the New World Order, who, apparently, run this world from a secret room.

Locating and exposing this secret room is a mighty ambition for a picaresque with some of society’s marginalised characters and Ronson chooses to focus his efforts on exposing the shady Bilderberg Group, which seems to be the only tangible lead he has to follow. 20 years on from the events in this book, and the Bilderberg Group – a secretive annual meeting of top politicians, business people, and interested parties – is probably more widely known due to the proliferation of the internet (the group is a well-discussed subject among conspiracy theorists in chat rooms). So much so, in fact, that it seems unlikely to be the all-powerful cabal of puppeteers who run the world. After all, wouldn’t a secret group with all the resources at their disposal be a bit more, you know, secret?
What Bilderberg is, however, is a good story. The further into the book one gets, the more apparent it becomes that all the disparate people Ronson talks to feel the need to live their lives in opposition to some shadowy “them” who stand between the ordinary man and a much better society. It is no great insight to say living in opposition is not confined to the extreme edges of society. When you break into the narrative of almost any group of people, you discover that the lines are all the same, it is just the focus that changes. Today’s Remainers lament incompetent government and the lies and lethargy that are carrying the UK out of Europe; Brexiteers despise the World Government the EU is becoming and the liberals too blinded by their Cause to see this. Domestic politics is dominated by discussions of how the working man is being screwed over by immigrants, Etonian MPs, economic naivety, or callous capitalism, depending on who you talk to. Atheists decry the pressure exerted on governments by religious institutions and the religious view themselves as ostracised by an increasingly secular world. Football fans wax indignantly about the governing bodies who corruptly favour the biggest teams, who have allowed the working man’s game to become overrun by foreign billionaires and pampered players – of course, each team’s supporters define themselves as better than their most bitter rivals based on their style of play / quality of fans / financial dealings / success / glorious failures / ethos / place in the community, etc. It seems we, whoever ‘we’ are, struggle to go about our personal existence without having a ‘them’ who somehow fail to see the world as we do, who are duped by the system and are sleepwalking into the apocalypse. One thing humans will never be short of is conspiracies.

For all that, there is a dark mist hanging about many of the characters in this book. Regardless of how heavily Ronson editorialises and caricatures the people he spends time with, the truth is, death and disharmony surrounds them. While Them is an entertaining and, in some ways, enlightening book, it is hard to feel one is getting anything more than a flippant look at very real issues. There is a talent and a humanity in this approach to storytelling but there is something quite unsettling in it too.
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